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Measure the Pulse of Teaching and Learning in Your Community

Measure the Pulse of Teaching and Learning in Your Community

Another exciting year of teaching and learning is underway. And while a new school year can elicit mixed feelings, it also inspires educators and school leaders with a desire to try and experiment with new tools, systems, and pedagogies to make strides and improve upon last year.

 

Introducing the Kiddom Pilot Program for Schools and Districts

 

This year, Kiddom is also offering something new: a pilot program to help schools and districts meet their goals with custom intelligence reports, administrative controls, a tailored onboarding experience, and ongoing pedagogical support.

Last year, Kiddom helped tens of thousands of teachers across the United States improve their classroom experience with a set of interconnected, user-friendly tools. Today, teachers rely on Kiddom’s reports because they’re visual and actionable, offering beautiful analytics to fine-tune instruction. Teachers love Kiddom’s library because it saves them time by giving them easy access to free resources (e.g. videos, quizzes, and readings) from top-notch curriculum providers. Our Google Drive integration removes the need for teachers to use Google Classroom. And of course, students use Kiddom to access all of their assignments, feedback, and progress from one place, on their own terms.

 

 

We’ve been laser focused on the classroom experience and it’s paid off. However, we believe it takes a village to raise a child. If we don’t connect the various stakeholders involved in a child’s education, then we’re not meeting our full potential.

Kiddom’s pilot program helps schools and districts plan, assess, and analyze learning more effectively as learning communities.

Our pilot program offers school and district leaders the opportunity to measure the pulse of teaching and learning in their community, beyond a single classroom. Participants receive custom intelligence reports to identify strengths and areas to improve across school(s), as well as a toolset to make timely interventions. School and district-level controls allow administrators to set up community-level preferences, rubrics, standards, and more. Schools and districts also received a tailored onboarding experience and a dedicated support specialist. We also work with the pilot school/district to design custom professional development resources and experiences. Pilot program teachers, principals, and district administrators also get to shape Kiddom: they take part in product feedback sessions where their input informs future Kiddom features and services. These benefits and services are free for pilots — it’s the least we can do.

Unfortunately, there are a limited number of spots available. We’ve already accepted a range of schools, districts, and non-profit organizations. If reading this got you excited, the best way to get started is to complete this pilot program interest form as soon as possible. If your organization meets our requirements and you’d rather get something on your calendar soon, schedule a call with us so we can learn more about your community’s goals and initiatives.

Features and services for pilot schools and districts:

 

Teamwork makes the dream work!

 

  • Custom class, school, and district-level intelligence reports
  • School and district-level management and controls
  • Tailored onboarding and setup
  • Professional development workshops
  • And much, much more

 

We look forward to learning how best we can support you! 😃

 


By: Amanda Glover, School and District Partnerships
Playlists: A New Resource for Curriculum Development

Playlists: A New Resource for Curriculum Development

Well-designed and differentiated curriculum allows students to more meaningfully connect with content, but designing it can be cumbersome. That’s why at Kiddom, we’re excited to give teachers a sneak peek at what we’ve been working on: curated playlists.

Playlists: group together resources (like videos, readings, and quizzes) on the same topic and assign when ready.

Why curate playlists?

One of the hardest things about planning a blended learning class is finding the right instructional materials. As teachers, we develop and own our teaching style. It’s hard to give up your “teacher identity” by accepting videos or resources created by someone else. Some teachers (admittedly, like us) have spent countless hours recording and editing themselves. While that may feel truer to your teaching practice, it’s difficult to sustain given the time (and resource) constraints of school. The alternative, finding the right resource aligned to your students’ needs, can be equally time consuming. We can’t tell you how many hours of educational videos and songs we’ve watched to find the best fit for our classes.

So why bother if it’s so difficult? Well, one generalized lesson per day to address the “average” student doesn’t do enough to meet the diverse needs of every student in the classroom. It’s also difficult to support soft skills like self-management and curiosity when you’re teaching one lesson to the entire class. This is why we’re thoughtfully curating curriculum resources for you. We encourage you to be familiar with the resources we’ve gathered, but we hope to earn your trust in the quality resources we pulled together to meet your students’ unique needs. We’re dedicated to helping you find more time to connect with and inspire students.

Curated playlists for math

Curated playlists for English

To get all of our curated playlists, click here. Then copy and paste the assignments directly into Kiddom’s Planner.

How do we evaluate our playlists?

Our playlists are peer-reviewed and checked for rigor, flow, and alignment.

  • FLOW: How well do the topics move from one lesson to the next?
  • RIGOR: Are the tasks at an appropriate grade level to be accessible and still provide a challenge. Do the tasks require conceptual understanding and application of content?
  • STANDARDS ALIGNMENT: Are the assessments and standards clearly aligned? Does the content align to multiple standards? How well does the content span across grade levels and across content?

How do we select resources?

Each group of resources, which we’re calling a playlist, is thoughtfully curated to include the best options for learning and practicing a new skill. When selecting resources for playlists, we’re looking for content that meets the criteria for Universal Design for Learning (UDL), “a framework to improve and optimize teaching and learning for all people based on scientific insights into how humans learn.” We look for lessons that provide multiple means of representation such as audio, visual, and text support. We seek activities to practice those skills that provide multiple means of engagement by optimizing relevance through real life application. Finally, we designed culminating assessments to support planning and strategy development, optimize individual choice and autonomy, use multiple media for communication, and develop self-assessment and reflection.

As a free platform, we first seek the best free resources so that they’re universally accessible. But we also incorporate resources from providers based on teacher request. We also include resources that have limited free practices or a free trial version.

Create your own playlist:

We’d love your feedback on this month’s featured playlists. Are they useful? Are they effective? How would you use them?

We’re looking forward to your feedback.

https://upscri.be/17b283/

By: Liz Engellenner and Jessica Hunsinger, Curriculum Specialists

Introducing an iOS App for Teachers and Learners

Introducing an iOS App for Teachers and Learners

We’re building Kiddom to be a place where teachers and learners can work together effortlessly, no matter where they are. Today, we’re proud to release our first version of an iOS app that supports both teachers and learners. Our latest iOS app (optimized for iPhone and iPad) makes it easier than ever for teachers to plan, assess, and analyze student work. But most importantly, this is an app that students can use too, making it an effective way for 21st century students to stay organized, submit work, and get feedback in a timely manner.

https://vimeo.com/194738319

Browse Premium, Standards-Aligned Content

Educators love Kiddom because we connect directly to premium, standards-aligned content. With our latest iOS app, teachers can browse and assign any of this content directly from their iOS devices.

Add your own assignments instantly. Or, Kiddom’s content library to assign content directly. Why reinvent the wheel?

Moving forward, a teacher doesn’t have to wait to get in front of a computer to browse Khan Academy’s videos for a student that requested additional guidance on a particular topic. A teacher that is assigned to cafeteria duty can still browse CK-12’s real-world activities to find the most appropriate exercise for students that are ready to apply what they learned in the previous class. And teachers that can’t access a computer because they share a room can still peruse CommonLit’s news articles, short stories, poems, and historical documents directly from the app. Yeah, we’d say teaching and learning just got a little more convenient.

21st Century Students Rely on Instant Feedback

Grading student work can grow to become a daunting exercise this season as quarters, trimesters, semesters, and all sorts of grading periods start to wrap-up. With our latest iOS app, teachers can assess student work and share critical feedback instantaneously.

Grade on the go, then easily analyze class performance and pivot instruction.

Students are free to ask their teachers questions on assignments in real-time from the convenience of their own iOS device. The ability for learners to learn on their own time and ask clarifying questions in-the-moment helps create a productive, continuous learning cycle. If students don’t have to wait until they physically see their teachers to get questions answered, then they’re free to learn more and get more done on their own time. We think that’s beautiful.

So, What’s Next?

We’re excited about this first version of a teacher and student iOS app, but we realize there’s more work to be done. We’ll continue to build more functionality for the iOS app over the next several months. In the meantime, download the app and let us know what you think in the comments.

https://upscri.be/17b283/


By: Abbas Manjee, Chief Academic Officer

Kiddom’s mission is to unlock potential for all teachers and learners. With today’s iOS app launch, we’re excited to get one step closer to a world where teachers have the time to inspire students and students have the ability to learn on the device they’re most comfortable with, on their own terms.

I Am an Educator, and I Am Desperate to Be Taught

I Am an Educator, and I Am Desperate to Be Taught

The following post was submitted by a New York City educator. The author has chosen to remain anonymous. You’ll understand why.

I am an educator, and I am desperate to be taught.

Credit: PhotoPin, licensed under CC by 2.0

I have been working in schools for eight years as a teacher, department lead, and instructional coach. I am by no means a veteran of the field. Despite this, by and large, I have been left alone to independently seek resources to improve my practice or received coaching that was ineffective and misaligned to the realities of my classroom.

I’ve always felt this disconnect, but it hit me even more concretely this week in a professional development session for instructional coaches. We were asked to describe the best mentor we’ve had as educators — what were the qualities that allowed us to learn from them, the structures they used to teach us, and the lessons we learned from them? As I scanned my memories of the last eight years, the officially assigned coaches or mentors did not come immediately to mind. Instead, it has been peers, books, online forums, and my students that filled my head with lessons and pushed me to improve.

As I reflected more deeply, going year by year, I realized how much of my lack of professional development stemmed from greater issues in public education: lack of financial resources, inexperienced teachers and administrators trained by alternative certification programs, high staff turnover and burnout, and the heavy focus on standardized tests.

In my first year teaching, I was assigned a mandatory mentor to meet with biweekly. She rarely observed my classes or asked for lesson plans as a source of data to develop my personalized goals; she usually asked me how I was feeling about my own practice. Much like a doctor asking a patient to diagnose themselves, she left it to me, a twenty-one year old novice, to pick a focus area for my learning. I gave the answers that “felt” right, but I was never confident I was seeking the right resources. Most of our sessions focused on classroom management, but since she hadn’t seen my students’ behavior or my delivery, her feedback consisted of things I had already found in books like The First Days of School or Teach like a Champion: stand at the door and greet students, circulate around the room a lot, don’t put your back to the class while writing on the board, etc. It was disconnected from what was actually going on in my classroom and my planning, and it flat out didn’t work to make me better or help my students. I usually left those sessions feeling more exhausted and confused than before we met. I want to go back and coach myself like Ebenezer Scrooge, the ghost of PD future. “Stop focusing on behavior. Look at your lesson plans. Script your questions ahead of time. Pick more engaging content. Get to know the kids better. Really listen to what they’re saying in class.”

In my second year, it was assumed by administration that as I had survived my first year, I was competent enough to be left alone. The principal (who had taught for only four years before being fast tracked into administration through the Leadership Academy) came once mid-year, observed for fifteen minutes, and left. We never had a post-observation meeting. At the end of the year, I was asked to sign off on five “Satisfactory” observations for my file towards tenure. I survived that year, and learned via trial by fire. I came out feeling grizzled, and wondered if teaching was for me. I had no idea if I was doing a good job, and though I had strong relationships with my students and their academic results seemed solid, I felt unmoored in my career. I thought about leaving teaching, but stayed because I loved my students and the community I worked in.

Credit: PhotoPin, licensed under CC by 2.0

Fortunately, in my third year, a group of veterans formed an informal peer observation group. The plan was to pick a partner, observe them every other week, then meet in the off-weeks to debrief and give suggestions and discuss. This was the most important group I have ever been a part of professionally. Throughout the year, I was paired with teachers across grade level and content area with varying levels of experience and teaching styles. Through spending time in their classrooms, I learned an infinite number of lessons — everything from how to use the physical space in my classroom more creatively to how to infuse engaging multimedia into the most mundane lessons. I am eternally grateful to the teachers who voluntarily gave up lunch breaks to meet with me, who welcomed me into their classrooms, and allowed me to question their methods with a generosity of spirit that made me the educator I am today. Their lesson plans, their teacher voices, and their passion for the true work of teaching lives in every class I have ever taught or PD session I have led.

After my third year, I moved to a brand new school as a founding team member. The school had not been planned well from its inception, and amidst the chaos of figuring out new systems for everything from collecting attendance to choosing curriculum, our administration had less than zero time for coaching. The only instances that an observer ever came to my class were reactive, in both negative and positive ways. If there were conflicts between certain students, a visitor might come for a little bit and stay in the room, but the focus was never on instruction, only physical and emotional safety. Conversely, I would frequently invite the whole school community into my class to see presentations, debates, or readers’ theater my students were sharing to celebrate success. Rarely did anyone, especially from administration, take me up on my offer. I was so disappointed I couldn’t foster the same “open-door” policy among the new staff that had become so important to me at my old school. Once or twice, the principal popped in and complimented my classroom management, but the content or structure of my lessons was not a point of discussion. Still, I could only judge from my students’ reflections and my own research that I was learning to become a better teacher. Again, I didn’t receive any formal feedback for an entire school year.

Finally, the following year, I got a coach. She was an experienced, passionate, and purposeful educator who asked me early in the year, “What do you want to work on? What should I look for when I observe?” She came to my class, stayed for entire periods, took detailed notes, and videotaped my lessons. This Cinderella with a ragged unit plan got a fairy godmother full of probing questions and content knowledge. She let me drive my goals — I wanted to learn how to question better, how to flip my classroom so I could be a facilitator and my students would be accountable for accessing the knowledge they sought. This coach pushed me to consider how to increase the number of minutes students were speaking to each other in class, and we researched techniques and strategies together. We watched taped footage of my class together, attended external PD workshops together, and re-wrote curriculum together. I had never felt more effective or energized; I knew my decisions in planning were grounded in evidence-based strategies, my students were performing at extremely high levels in both standardized tests and project-based assessments. I was able to use the innovation and pilot strategies we had come up with to teach others in my department. It was exactly the teaching utopia I had dreamed of. And then, because of nasty political decision-making at the administrative level, my fairy godmother left to work at another school. I was devastated, but I didn’t blame her. I knew the coaching she had given me was rare, and I was still craving her expertise and constant challenges to improve.

Credit: PhotoPin, licensed under CC by 2.0

In my last year at this school, I experienced a slow decline in my emotional engagement in the work of teaching, despite having extremely high test scores and a greater leadership role in the school. I was observed the most I had ever been in my career, but it was the least helpful time I’ve spent in meetings. While my previous coach had tracked things like percentage of student vs. teacher talk, rigor of questioning, and text complexity in her observations, my new coach was checking items off on a list, exactly the same as he had in every other class he visited: Were rules posted? Was there common formatting on worksheets? Did I have a behavior tracker on the wall? And most importantly, was there a standardized test question embedded in every lesson? The deep, personal inquiry into student learning was replaced with questions of compliance and testing. I pushed back in feedback meetings, and was reminded repeatedly that our students would only graduate if they passed the state exam. I wanted to shoot higher than the state test. I wanted my students doing college-level work, thinking beyond a simple multiple choice test question. I wanted them to question me, the texts, and each other. I wanted them to argue, reflect, and create authentic artifacts of their learning. But the resistance I faced was strong, and it drove me out of the classroom.

Today, I work to mentor new teachers-in-training, and much of my drive for coaching is rooted in a desire for them (and most importantly, their students) to have what I did not. This year, I’m challenging myself to plan my coaching with the three major things that worked for me in mind: personalized development goals grounded in classroom observations and student data, opportunities for peer-to-peer observation and feedback, and use of coaching time to seek new resources and work side by side with a mentor, rather than receiving top-down feedback. I hope to be transparent about these goals with my team, so that when fatigue hits in March, they’ll hold me accountable to what I said I would do, and refocus me as the facilitator of a community of adult learners.

I challenge you, educators of all types: do what you can to support your colleagues’ growth to help prevent burnout and turnover.

New teachers: find a veteran and hang out in their classroom while they teach. Ask them questions about their practice and take risks to try some of their techniques.

Veterans: instead of chatting with them in the teacher’s lounge, open your classroom door to the fresh-faced teachers joining your staff this year. Show them how you balance all of the hats you wear as a teacher. Create a community of teachers who support and learn from each other.

Administrators and coaches: ask questions of the teachers you coach. What do they see as their biggest challenge? Where do they want to grow? Work alongside your teachers to develop a culture of inquiry and learning. Seek feedback from them all along the way, instead of just providing yours.

Let’s make this school year one that fosters development for all, so our children can reap the benefits.

https://upscri.be/17b283/


Originally published at Teacher Voice.

Am I a Teaching Artist or an Administrator?

Am I a Teaching Artist or an Administrator?

Sometimes, I wonder if I’ve made a mistake.

I was a teaching artist for 15 years before I made the leap to full-time administrative work. A lot of factors contributed to this decision: I quit acting (feeling I needed to establish myself as something more than a performer), my wife lost her job, and I wanted to develop new skills. At that time, my colleague Michael Wiggins, newly crowned Director of Education at Urban Arts Partnership (UAP), was focused on increasing the pedagogical acumen of the organization. He hired me as an Instructional Coach for Fresh Prep (a groundbreaking program using Hip-Hop music and culturally responsive pedagogy to support previously failing New York City students as they work to pass the Social Studies and ELA Regents Exams). So I left acting in November of 2013.

 

 

My first task at UAP was to write a process-drama curriculum that supplemented the program’s academically oriented Hip-Hop music; this was right up my alley, as I love designing engaging lessons for students. The wonderful thing was that writing this curriculum wasn’t too far off from the teaching artist work I’d been doing; the only difference was that I myself wouldn’t be teaching every lesson. It seemed like an easy transition into full-time, gainful employment. And, as I pushed to finish the first edition of Global History lessons for Fresh Prep, not once did I miss performing, particularly because while I was writing I was also able to observe our TAs in classrooms and lead professional development workshops for teachers and administrators. I was working in a field directly related to my passions, without having to worry about finding the next gig. Well, kind of…

What I learned — the hard way — is that my full-time salary, paid regularly every two weeks, was not enough to successfully subsist. Taxes were exorbitant, and I had to be in the office five days a week, so it was difficult to pick up extra work; I realized that although teaching artists live from paycheck to paycheck, if scheduled strategically, TAs can make more money than their administrative counterparts. As a teaching artist, I could cobble together various residencies to make a decent income. I didn’t receive paid vacation, but on the other hand I was not beholden to be anywhere. I could work a three-day week, focusing on something else the other four. I could go to a bar at noon on a Tuesday (which I often did, before my kids were born). This full-time job was actually putting me in the hole. I had to find a way to make more money.

As an actor, I always had a backup plan; with this in mind, I made sure that I stayed on the teaching artist rosters at several organizations. I was able to work weeknights, on Saturdays, and could even teach the occasional early-morning class before heading into the office at 10. I was hustling just as much as I had before my full-time gig, and yet I knew I needed to continue working as an administrator. Why? Because I felt people had more respect for an organization’s administrators than its teaching artists. Sensing an opportunity to grow as an educator, I had to spend less time in the classroom and more time behind a desk; it was frustrating, but I believed it would be beneficial in the long run. And, because I was a good Instructional Coach, I was quickly promoted to run UAP’s Professional Development Program. This seemed like a great move, mostly because I happen to love working with teachers and informing their practices; in fact, it is what I love most about being an adjunct instructor at NYU.

Did I forget to write that? I’m also a university professor on the side. In 2010, when I was still acting and freelancing as a TA, I was asked to teach a college course, and over the years I have been offered several more.

In my first position at UAP, I juggled teaching multiple courses, writing curriculum, and working hands-on with Fresh Prep teams in schools. However, in my new role as Professional Development Manager, my primary focus became coordinating schedules; I was rarely able to observe team members, because all the workshops happened either at the same time (in four different boroughs) or during school hours, when I needed to be on-call for our TAs and partner organizations. This was a highly administrative job, and it did not allow me to teach as much as I liked. I was becoming the admin guy.

Did I miss performing? Not really. But I did miss being in the room with a group of students, creating magic. The days of “make a circle” and “clap once if you can hear me,” or “tell me how that made you feel,” were gone. I was beginning to long for those precious moments when I’d have to ask students to stop throwing markers, fighting, or, you know, licking each other. I was now a program manager who knew how to make one sick spreadsheet, use Salesforce, and transfer attendance records for the accountant to report. I was sinking into a sea of systems, trying to claw my way toward the light just above the breaks.

Soon after making this move, UAP received an Arts in Education — Model Development and Dissemination grant from the U.S. Department of Education to adapt Fresh Prep for middle schools; this new initiative was called Fresh Ed, and I was asked to come on as the Project Director. I would have to build the program from scratch: write new lessons, coordinate schedules, manage a multimillion-dollar budget, and create digital content. I was also elected to serve on the Board of Directors for Arts in Education Roundtable. Then came the news that a session I submitted had been accepted at SXSWedu. I would be facilitating a workshop in Austin, Texas, focused on teaching history through Hip-Hop. My hard work was being noticed and rewarded. I was beginning to see how I could live my life as a full-time arts educator.

Still, something was missing and I couldn’t really put my finger on it.

I don’t regret my decision to become a full-time administrator, but I sometimes wonder if it was the right choice. When I quit acting, I was a working actor, and as crazy as it seems, I really miss the need to look for more work. It kept me hungry. It drove me to be a better performer, educator, dad, and husband. On top of that, I long for the days of less predictability, when I could go home to visit family, have a beer with friends (even strangers), sit down to read a novel, work out, take a nap, and of course worry about money. Yes, there is some security in being a salaried employee, but there is nothing like working a gig and just getting paid for it. Every penny seems earned. As a freelancer, there was an immediate sense of value attached to every acting job or classroom residency. I honestly miss traveling from school to school, going from audition to audition, and living paycheck to paycheck.

On the other hand, I love the work we create and implement at UAP. I love empowering other teaching artists, and I love collaborating with people from different fields, on local and national levels. UAP was once again accepted to SXSWedu; this time I’ll moderate an earth-shattering panel: Can Hip Hop Save Us? Beyond SXSW, we’ve been able to showcase our work at NY Tech Meetup, NYC DOE District 75, NYC DOE iZone, Google Education Think Tank, Google Geek Street Fair, NYU, and more. And, in spite of all that, as an administrator I maintain a pretty consistent schedule. I am not flying to Iowa for a small part in a movie or traveling to DC for 3 months to work on a new play. I may travel for events, but those trips are planned months in advance and they’re always brief. For the most part, I see my family every day.

But I have to ask myself: am I happy? Is this what I set out to do after earning my MFA in Acting from Brandeis? I always knew teaching would be a constant (even when I was at Morehouse College, exploring different majors, I was a Benjamin E. Mays Teaching Scholar), but I had also assumed that I would continue to perform in some capacity.

Two years ago, my wife worked as a costume designer for MTV, so I stayed home with my kids and played all summer. I auditioned, I got work on a few TV shows, and I read a lot of books. I was relatively content, and my wife liked knowing her job was only 3 months long. We didn’t necessarily know how we would pay for food or rent when her job ended, but we were happy. And shouldn’t life be about happiness? That said, would we still be happy if/when acting jobs dried up and the relentless schedule of TV designers became a long-term reality for my wife? I guess we’ll never know.

Over the years, I have been able to build a strong reputation in the field of arts education; my passion for performing may have waned, but my passion for education has remained.

What would you do?

Written by: James Miles
Project Director @ FreshEd

https://upscri.be/17b283/


Originally published at Teacher Voice.

A Call For Classroom Research

To fully realize technology’s potential to improve the opportunity to learn, research findings [from the disciplines of cognitive science, neuroscience, education, psychology, sociology, and economics] should be communicated in a way that is useful to [everyone] looking for effective methods to improve student outcomes. ~ DigitalPromise Research Initiative

We at Kiddom like to ponder how classrooms and learning might evolve as a whole.

Toward these ends we’d like to tip our hat to DigitalPromise.org who is collecting and sharing scientific research and studies of how better classrooms and learning might be fostered. Subscribe to their newsletter!

We’re personally driven by our core questions:

The former is very important, because, really, educators know how to best engage their students, and deserve more time to focus on doing so. The latter is also important.

We’re thrilled to be on our mission, and happy to include academic research as another source of input we might use to best serve our school communities.

If you discover any research you’d like us to see, please share by tweeting @KiddomApp or emailing us directly.

If you’re on Academia.edu, I’ve created a list of all the Education/Learning-Psychology categories. Just look at the tags on my profile!

https://upscri.be/17b283/

– Jordan Feldstein
 Growth @ Kiddom


Originally published at Teacher Voice.

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